THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They will often be craving romantics, with this distinction: Buster appears a plausible mate, and the Tramp barely seems to have a libido, only idealized notions. If their comedies had been manufactured in a more liberated time, it is possible to imagine Keaton in bed with a girl, but disquieting to think about the Tramp as being a sexual currently